I’m deciding to take advantage of “structured procrastination” (I should be studying for a French test) and write about simplicity – again. A recent digg article shot to the front page about webdesign simplicity. It wasn’t particularly insightful or newly informative. But it did practice what it preached: Link. Mirror(png). Noticed how it was technically in the common five paragraph essay format/structure.

This common format is taught around 6th or 7th grade and then internalized throughout high school where it becomes enforced in college and a necessity for intellectual life. A quick google search produces a simple to understand guide for this: JCU.edu

This past year I read “A Hacker Manifesto” and its unusual aphorismic format was immediately appealing. It succeeds in its brevity where the common 5-paragraph system fails. It does this by breaking the monogamy of argument-example. The main argument to maintain this relationship for the 5-paragraph format is to allow for ‘further understanding’ or “support” of the argument. It allows the reader to more appropriately understand the meaning and context of the body’s premise. But, for certain information, this is not a necessity.

Before I proceed: I recognize the irony in having to utilize the 5-paragraph format in my own writing and I also recognize that I’ll have to use an example to further explain my previous statement. This is only a handicap because I haven’t internalized the aphorismic method, yet. So: For instance, in the above digg article the main argument statements in each body is in bold. You may if you need further clarification/understanding read the body’s non-bolded text. But you could read and understand the entire essay’s point by simply reading those short one-sentence arguments.

This setup makes the logic of the essay more explicit. One of the first challenges schoolchildren have in understanding a block of text in an essay is by recognizing what and where the thesis statement is. In the previous example, there is no interconnected logic but rather an abundance of one-liner arguments. But most other essays, particularly philosophical ones, require step-by-step argumentation.

Consider a simple syllogism:

All men are mortal.
Socrates is a man.
Therefore, Socrates is mortal.

Now, if this logic was to be put under the two structures previously described, then you shall see which has its flaws.

Very simplistically, in the 5-paragraph structure you’d have something like this. The obviousness of the supporting statements may come off as stupid but this yet another unnecessary flaw in 5-paragraph sytem.

It is no mystery we humans live and die. Socrates was no different in this distinction. In this essay, I will argue that since men die, and that Socrates is a man, that Socrates has the potential to die.
All men are mortal. This is evidenced by numerous graves and the fact that there are no men who have lived forever. All the decedents of men have died. Since we are living things, we must be vulnerable to death. For example, etc. This manifestation of humanity allows for the analysis of one such man, Socrates.
Socrates is a man. This can be shown in so many ways such as the certain traits that compose “man” which are shared by Socrates himself. For example, he has a beard. Another example, is that he has male genitalia. It is now imperative I describe the most important trait Socrates shares with mankind: mortality.
Thus, because Socrates is a man and that all men eventually die, Socrates will eventually die. It is possible to see the effects of death by his deteriorating health and lack of pulse. The trail and eventual willful execution by poision was the proverbial final nail in the coffin.
I have thus shown the intricate reasons for Socrates’s own mortality. It is taken syllogistically from the major premise that all men are mortal to the minor term that Socrates is a man and finally to the conclusion that Socrates is mortal.

How unbefuckinglievably laborious was it to wade through that dumbfounded essay only to point out the obvious syllogistic logic that Socrates is mortal? This has to be done for virtually every argument presented by anyone. It is beneficial to do this for rather complex arguments and arguments which may require such laborious support but this is only mainly done to cater to the possible stupidity and ignorance of the reader. It is not something that is necessitated by the form or argument itself. In “A Hacker Manifesto” Wark employs a slightly different approach. It is a little synthetic in that it is between the extended form of the 5-paragraph essay and the minimalistic form I’m arguing which would be an Wittgensteinian essay composed entirely of propositions. Wark will have an abundance of propositions in regard to a central idea/subject. He will also support those propositions with sub-propositions which could be separate but are kept within a single paragraph due to their relevance to the main topic sentence. Quote:

In the frontline states of the old cold war, the forces of revolt were most successful. In Tawian, Korea, Thailand, and the Philippines; in Czechoslovakia, East Germany, Poland, Hungary, Slovenia and the Baltic States, the forces of revolt pushed the old ruling classes toward a new state form, in which further movements toward abstraction at least have a fighting chance.

Revolt [237]

Two propositional statements. That whole paragraph could be dissertation. A dissertation analyzing the revolts in all those countries described, in support of a main thesis to describe the success of them as a movement toward Wark’s conceptualization of “abstraction.” Wark modeled his writing for “A Hacker Manifesto” on Debord’s “The Society of the Spectacle” Debord was influenced by Isidore Isou (here is his manifesto) and his hypergraphology theory and Lettrist movement. Another writer’s style whose relevance is undeniable is Wittgenstein. In his magnum opus, Tractatus-Logico-Philosophicus, Wittgenstein dissolves philosophy by logical atomism through arguments about language and reality. In 80 or so pages it critiques philosophical analysis, language, logic, reality, with some ethical overtones and develops a ‘picture’ theory of propositions. Each theses is numbered (1 through 6, with a 7th and last proposition being his famous dictum: “Whereof one cannot speak, one must be silent.” or sometimes translated as “What we cannot speak about we must pass over in silence.”) and sometimes has sub-theses which are comments or elaborations on the main theses.


In fact, the entire ‘book’ can be simplified into 7 direct statements:

1. The world is all that is the case.

2. What is the case – a fact – is the existence of states of affairs.

3. A logical picture of facts is a thought.

4. A thought is a proposition with a sense.

5. A propositions is a truth-function of elementary propositions.

6. The general form of a truth-function is [p, E, N(E)].

7. What we cannot speak about we must pass over in silence.


That’s it. If Wittgenstein had been forced into the 5-paragraph structure the book would be monumental. His simplicity highlights another flaw in the 5-paragraph paradigm which I consider to be a manifest contradiction. In English writing classes we are taught two things: critical thinking skills and essay writing skills. But, the ideology behind both in regard to the reader-writer relationship is contradictory.


The reader is taught to be skeptical and critically analyze the information presented in an essay. They are taught to avoid logical fallacies, and not become victims of persuasion. But, the writer is given intellectual tools which he/she is supposed to utilize to convince the reader that the writers arguments are not only valid but sound and true. Writers are also urged to utilize writing which is not explicitly intellectually dishonest but is just as a persuasive in trying to convert the reader to the writer’s philosophy. This doesn’t make sense. Everyone is a writer and a reader. If you are a writer, you must use as many tools at your disposal to ‘trick’ the reader into adopting your view with the least resistance. If you are a reader, you must use as many tools at your disposal to be critical and open minded so as not to fall into the writer’s ‘traps’.


Aphorismic writing is not illusory. It presents a proposition within a logically flowing piece of literature and it is up to the reader to critically analyze it. Analyze it on its own merits and its relation to other propositions in the text. In Aphorismic writing, the potential intellectual dishonesty of the 5-paragraph method is avoided while the information and logic of the argument is maintained.


I wrote this entry in part to ‘do’ something today. But I also wrote it to allow myself to synthesize all these thoughts which bounce around in my mind loosely tied together. I didn’t write an outline for this, I just sat and wrote. I feel that I have convinced myself that I want to convert to writing aphorismically. However, first, I’ll have to start internalizing that method.

Plain Language: What is Plain Language?

I’ve wanted to find minimalists authors so that I can understand their economy of words in relation to the structure of their stories (plots, climaxes, descriptions and so forth) because I feel I’ve grasped a basic understanding of minimalism and simplicity in most other spheres (art, music, politics).

A few minimalist authors would be: Ernest Hemingway, Raymond Carver, Chuck Palahniuk, Emily Dickinson, Amy Hempel, Bobbie Ann Mason, Tobias Wolff, Grace Paley, Sandra Cisneros, Mary Robison, and Frederick Barthelme, Samuel Beckett.

Linguist and political critic Noam Chomsky developed a syntax theory based on minimalism. In fact he wrote a book on it: The Minimalist Program

For more: http://www.hikaripub.com/tips.htm#Mini

However, this seems oriented toward minimalism in technical writing especially when it sites theĀ  Nurnberg tunnel series by John Carro.